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	<title>Comments on: Thoughts From The Artistic Director : I Can&#8217;t Belive That Happened on Stage Part 1</title>
	<atom:link href="http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/</link>
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	<pubDate>Mon, 13 Oct 2008 19:00:13 +0000</pubDate>
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		<title>By: AnnH</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-118</link>
		<dc:creator>AnnH</dc:creator>
		<pubDate>Thu, 08 May 2008 20:59:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-118</guid>
		<description>I just saw Shannon's description from Twelfth Night.  I was in the audience that night and didn't notice a thing, but heard about the excitment later. My husband was in the green room waiting for his next entrance.  All at once, he heard this banging around and a few exasperated "words" from the dressing room.  He went to check and found the "guard" trying to transform into the "priest" in record time.  Randy succeeded admirably.  Kudos to Alex for covering.</description>
		<content:encoded><![CDATA[<p>I just saw Shannon&#8217;s description from Twelfth Night.  I was in the audience that night and didn&#8217;t notice a thing, but heard about the excitment later. My husband was in the green room waiting for his next entrance.  All at once, he heard this banging around and a few exasperated &#8220;words&#8221; from the dressing room.  He went to check and found the &#8220;guard&#8221; trying to transform into the &#8220;priest&#8221; in record time.  Randy succeeded admirably.  Kudos to Alex for covering.</p>
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		<title>By: ddecker</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-103</link>
		<dc:creator>ddecker</dc:creator>
		<pubDate>Mon, 31 Mar 2008 18:35:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-103</guid>
		<description>In my very first performance at TCTA,I was very lucky to be cast in Of Mice and Men on the Sheffel stage.  My role was not the largest, but I had a couple of great scenes and got to share the stage with Marc Rapp and Doug Goheen, which was enough for me.  Little did I know that one night, my minor role was going to be increased by a great deal, without warning.  The scene was in the bunkhouse where several of the farmhands were gathering after a long days work.  In order to set the scene and describe the history of the farm, an "article" in the Reader's Digest was used.  I was authored by an ex-farmhand.  My character was to grab the book and hand it to the foreman (Slim) who was to deliver the article as a monolgue.  Unfortunately, on evening when i handed the book to him and said "what does it say?", it was returned to my ungrateful hands with a simple response. "I don't know what does it say."  The look of terror on my face had to only be coupled by the deer-in0the-headlights look in his.  I delivered the monologue and the show went on.  Dispite this event, I've auditioned several other times.</description>
		<content:encoded><![CDATA[<p>In my very first performance at TCTA,I was very lucky to be cast in Of Mice and Men on the Sheffel stage.  My role was not the largest, but I had a couple of great scenes and got to share the stage with Marc Rapp and Doug Goheen, which was enough for me.  Little did I know that one night, my minor role was going to be increased by a great deal, without warning.  The scene was in the bunkhouse where several of the farmhands were gathering after a long days work.  In order to set the scene and describe the history of the farm, an &#8220;article&#8221; in the Reader&#8217;s Digest was used.  I was authored by an ex-farmhand.  My character was to grab the book and hand it to the foreman (Slim) who was to deliver the article as a monolgue.  Unfortunately, on evening when i handed the book to him and said &#8220;what does it say?&#8221;, it was returned to my ungrateful hands with a simple response. &#8220;I don&#8217;t know what does it say.&#8221;  The look of terror on my face had to only be coupled by the deer-in0the-headlights look in his.  I delivered the monologue and the show went on.  Dispite this event, I&#8217;ve auditioned several other times.</p>
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		<title>By: KurtSchlanker</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-99</link>
		<dc:creator>KurtSchlanker</dc:creator>
		<pubDate>Thu, 20 Mar 2008 16:23:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-99</guid>
		<description>Speaking of war wounds from theatre, I still have a scar from being the Lion in The Wizard of Oz.  As the farmhand, I was supposed to get scared and drop to my knees.  One performance, the two other farmhands came up behind me to scare me.  I was sitting on an overturned metal bucket.  Normally, I'd kick the bucket out of the way.  This night, however, the guy playing the Tin Man got in the way so the bucket stayed where it was.  My shin came down on the bucket and my leg got cut open.  This was the same performance in which Toto took a dump on stage and the Tin Man stepped on Toto.</description>
		<content:encoded><![CDATA[<p>Speaking of war wounds from theatre, I still have a scar from being the Lion in The Wizard of Oz.  As the farmhand, I was supposed to get scared and drop to my knees.  One performance, the two other farmhands came up behind me to scare me.  I was sitting on an overturned metal bucket.  Normally, I&#8217;d kick the bucket out of the way.  This night, however, the guy playing the Tin Man got in the way so the bucket stayed where it was.  My shin came down on the bucket and my leg got cut open.  This was the same performance in which Toto took a dump on stage and the Tin Man stepped on Toto.</p>
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		<title>By: JenFletcher</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-97</link>
		<dc:creator>JenFletcher</dc:creator>
		<pubDate>Tue, 18 Mar 2008 20:07:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-97</guid>
		<description>I've had the lights go out on me three times- two of them here at Civic.  But the biggest snafu ever was back in summer of 1990.  I was playing Susie in the old show Babes in Arms. You know- a bunch of kids putting on a show in a barn.  We ended one musical number with several of us posing on a 12-foot ladder.  I was seated on top and there were four girls (two of them ON the ladder) on either side. It went off without a hitch until one performance the ladder decided it had had enough.  We were singing the last note as the ladder began to bend then topple over to the ground. My leg got caught in one of the rungs and I still have a scar today from the accident (imagine that! A battle scar from being on stage!) Luckily no one broke anything.  I iced my leg for a few minutes before returning to stage to do a tap number.  Oy Vey!! The show must go on. :)</description>
		<content:encoded><![CDATA[<p>I&#8217;ve had the lights go out on me three times- two of them here at Civic.  But the biggest snafu ever was back in summer of 1990.  I was playing Susie in the old show Babes in Arms. You know- a bunch of kids putting on a show in a barn.  We ended one musical number with several of us posing on a 12-foot ladder.  I was seated on top and there were four girls (two of them ON the ladder) on either side. It went off without a hitch until one performance the ladder decided it had had enough.  We were singing the last note as the ladder began to bend then topple over to the ground. My leg got caught in one of the rungs and I still have a scar today from the accident (imagine that! A battle scar from being on stage!) Luckily no one broke anything.  I iced my leg for a few minutes before returning to stage to do a tap number.  Oy Vey!! The show must go on. <img src='http://www.topekacivictheatre.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /></p>
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		<title>By: Vicki</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-94</link>
		<dc:creator>Vicki</dc:creator>
		<pubDate>Wed, 12 Mar 2008 13:38:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-94</guid>
		<description>I remember that night Chelle, and wasn't the sketch about a guy that has a heart attack?  Marvin will do anything to hog the spotlight.

I remember during  the opening scene of To Kill A Mockingbird at the Warehouse,  Scout was sitting on the porch waiting for her friend to come and begin the show.  But the little guy that played that roll never came on.  So Scout began saying his lines as if she were wondering aloud.  When he did come running onto the stage, he was so upset he couldn't get his lines out so she continued to use his lines as questions and answering them with her lines.  It was amazing to see such a young actor handle the situation so professionally.

My favorite was the endless loop during It Runs In The Family.  Don Denton and Bruce Smith caught in the Twilight Zone repeating the same two lines to each other, over and over... and over... and over - -   From back stage I could see the confusion and terror on both their faces as the scene went on and on  -  and that too was amazing in a whole nother way.</description>
		<content:encoded><![CDATA[<p>I remember that night Chelle, and wasn&#8217;t the sketch about a guy that has a heart attack?  Marvin will do anything to hog the spotlight.</p>
<p>I remember during  the opening scene of To Kill A Mockingbird at the Warehouse,  Scout was sitting on the porch waiting for her friend to come and begin the show.  But the little guy that played that roll never came on.  So Scout began saying his lines as if she were wondering aloud.  When he did come running onto the stage, he was so upset he couldn&#8217;t get his lines out so she continued to use his lines as questions and answering them with her lines.  It was amazing to see such a young actor handle the situation so professionally.</p>
<p>My favorite was the endless loop during It Runs In The Family.  Don Denton and Bruce Smith caught in the Twilight Zone repeating the same two lines to each other, over and over&#8230; and over&#8230; and over - -   From back stage I could see the confusion and terror on both their faces as the scene went on and on  -  and that too was amazing in a whole nother way.</p>
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		<title>By: Chelle</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-93</link>
		<dc:creator>Chelle</dc:creator>
		<pubDate>Tue, 11 Mar 2008 20:54:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-93</guid>
		<description>I think Marvin having a heart attack on stage during a Laughing Matters show had to be the craziest thing that ever happened on stage with me.  None of us knew he had one at the time.  We did a sketch at the end of Act I, and when we all ran up to the green room during intermission, Marvin complained of having heart burn really bad...from there we all figured out what was going on.  Joel ended up going to the hospital with him, and the rest of us ran back on stage for Act II.  We felt really bad finishing the show, but then again 'the show must go on'.  I'm just glad Marv was alright.  He's a treasure at TCTA.  There is a new rule in Laughing Matters that we aren't allowed to have any major organ failures during a show.</description>
		<content:encoded><![CDATA[<p>I think Marvin having a heart attack on stage during a Laughing Matters show had to be the craziest thing that ever happened on stage with me.  None of us knew he had one at the time.  We did a sketch at the end of Act I, and when we all ran up to the green room during intermission, Marvin complained of having heart burn really bad&#8230;from there we all figured out what was going on.  Joel ended up going to the hospital with him, and the rest of us ran back on stage for Act II.  We felt really bad finishing the show, but then again &#8216;the show must go on&#8217;.  I&#8217;m just glad Marv was alright.  He&#8217;s a treasure at TCTA.  There is a new rule in Laughing Matters that we aren&#8217;t allowed to have any major organ failures during a show.</p>
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		<title>By: KurtSchlanker</title>
		<link>http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-91</link>
		<dc:creator>KurtSchlanker</dc:creator>
		<pubDate>Tue, 11 Mar 2008 16:48:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.topekacivictheatre.com/blog/2008/03/08/thoughts-from-the-artistic-director-i-cant-belive-that-happened-on-stage-part-1/#comment-91</guid>
		<description>Several years ago, I was performing Emile DeBecque in South Pacific in an outdoor theatre venue.  Rehearsals had gone smoothly and the two kids playing my children were wonderful.  One performance, however, was not to run that smoothly.  Everyone knows the show:  Emile and Nelly sing the Twin Soliloques and then Emile sings Some Enchanted Evening.  After Nelly leaves, Emile sings a reprise of Evening and the kids are supposed to run onstage to sing with him.  One night I finished the reprise and, you guessed it:  no kids.  Fortunately, I could see the orchestra director, gave him a nod, and we did the reprise again.  Once again, no kids.  As we approached the end of the 3rd repetition, I see one of the backstage assistants shove both kids onstage.  Thereafter, the kids had a handler.
Perhaps more amusing is the performance of Oliver in which I, as Bill Sikes, had a rather large dog to help me menace the orphans.  During one performance, the dog decided to pay some attention to his "personal region".  The audience roared with laughter.  It was the first time, but not the last, that I was upstaged by an animal.</description>
		<content:encoded><![CDATA[<p>Several years ago, I was performing Emile DeBecque in South Pacific in an outdoor theatre venue.  Rehearsals had gone smoothly and the two kids playing my children were wonderful.  One performance, however, was not to run that smoothly.  Everyone knows the show:  Emile and Nelly sing the Twin Soliloques and then Emile sings Some Enchanted Evening.  After Nelly leaves, Emile sings a reprise of Evening and the kids are supposed to run onstage to sing with him.  One night I finished the reprise and, you guessed it:  no kids.  Fortunately, I could see the orchestra director, gave him a nod, and we did the reprise again.  Once again, no kids.  As we approached the end of the 3rd repetition, I see one of the backstage assistants shove both kids onstage.  Thereafter, the kids had a handler.<br />
Perhaps more amusing is the performance of Oliver in which I, as Bill Sikes, had a rather large dog to help me menace the orphans.  During one performance, the dog decided to pay some attention to his &#8220;personal region&#8221;.  The audience roared with laughter.  It was the first time, but not the last, that I was upstaged by an animal.</p>
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